Sumário do projeto

O 'E-Academy of Building Trades - E-learning Platform of Traditional Craftsmanship' é um projeto transnacional que responde à grande necessidade de abordagens novas e inovadoras na educação relacionada com os métodos tradicionais de construção caraterística de diferentes países europeus.

Para o desenvolvimento deste projeto foi constituída uma parceria que conta com Universidades, entidades fornecedoras de educação de adultos de profissões de construção, organizações não governamentais ativas no setor do património e um estúdio de design e arquitetura com o objetivo comum de ter promover o acesso a novos materiais de aprendizagem de tipo digital que ajudem a reativar e manter estas profissões e/ou ocupações ativas ao longo da vida.

A plataforma de e-learning foi concebida de forma a poder acolher cursos de formação contínua após a elaboração do projeto, estando aberta a outros parceiros, com objetivos e interesses e objetivos idênticos nesta área, podendo fornecer novos contributos a esta plataforma. Os recursos de aprendizagem podem ser posteriormente combinados com outras formações práticas, como workshops, de modo a reforçar a eficácia dos conhecimentos, das aptidões e das competências adquiridas. Os módulos de aprendizagem podem também ser integrados em cursos de formação já existentes, ministrados por entidades de educação de adultos e/ou de EFP (Educação e Formação Profissional) ou mesmo em ações de formação ou workshops na área de conservação e restauro que ajudam os proprietários a cuidar do seu património de forma independente e autónoma.

Para ajudar todas estas iniciativas, foram reunidos materiais de orientação específicos que constituem a base da plataforma online, designada por e-Academy, com o intuito de facilitar a implementação dos cursos nos currículos das diferentes instituições de formação em toda a Europa. Para além do desenvolvimento desta plataforma, foram organizados eventos multiplicadores em todos os países parceiros para disseminar os contributos do projeto na promoção da manutenção de edifícios tradicionais e continuação da aplicação de soluções arquitetónicas sustentáveis em benefício das gerações futuras.

    Disciplinas disponíveis

    Estonian Logbuilding

    NGO Vanaajamaja (Old Times House) was born in 1998 as a nonprofit, educational organization. We are dedicated to establishing training programs, disseminating information, and generally serving as a center of Estonian traditional building and log house renovation for the professional and general public alike. Vanaajamaja is an accredited training and consultancy provider dedicated to Estonian built heritage. We provide training courses related to traditional log building and historical renovation. We regularly host master carpenters from all over the world to share their knowledge and skills. For over ten years now we have trained more than 500 people in Estonian traditional building. It is our experience that not everybody starts hands-on building right after the training course. People need time to think and plan their own building projects. When the actual building then starts, after months or years, they might discover that some of the knowledge and skills acquired in the training have somehow disappeared. Therefore we have made a helpful tool for those who want to revive their knowledge. This set of films shows step-by-step the process of making a small log building with the dovetail corner notches. The set contains eight films starting with the preparation and starting the log building in the workshop and ending with the raising of the building in its actual location.

    Wooden Veranda

    É crucial preservar edifícios antigos porque é impossível recriá-los. Podemos fazer uma cópia de um edifício antigo, mas não podemos recriar material antigo. Quando deixamos um edifício antigo e o deixamos apodrecer, ele desaparece para sempre. Por conseguinte, precisamos de preservar e restaurar os edifícios antigos tanto quanto pudermos. Este curso dá uma visão passo a passo de um projecto de restauração de uma varanda de madeira onde o material antigo foi preservado e conservado tanto quanto possível. Cada edifício antigo é único, com vários danos. Este conjunto de filmes não lhe ensinará como restaurar todas as varandas de madeira, mas dar-lhe-á uma visão geral sobre todas as tarefas e fases necessárias do trabalho, que materiais utilizar, etc. - damos-lhe um exemplo de muitas possibilidades. O conjunto de filmes começa com uma visão geral sobre o estado original do edifício, e como avaliar o estado das construções. Veremos também que peças foram substituídas, como restaurar janelas e portas interiores. Há filmes sobre como aplicar um telhado costurado e quais as técnicas a utilizar para restaurar as fundações. Também analisamos como aplicar isolamento com lã de celulose e que obras interiores são necessárias na restauração. Antes de tomar a decisão de demolir um edifício antigo, pense duas vezes e derrube-o apenas no caso de a restauração ser impossível.

    Adobe & Earthen Walls

    The course offers an entry level insight to some of the technologies recognised for the purpose of building different types of adobe and earthen wall structures. Adobe and earth wall technologies are amongst the earliest building methods of humankind with a long history and specification over thousands of years. As the form of building they are fully sustainable solutions with zero carbon emission and energy efficient realisation.

    The selection of the traditional methodologies involves primarily those which are realistic even in modern times and there are still masters who are able to build houses using these kinds of technology. Though most of these methodologies are well-known in most parts of Europe and also worldwide, the forms of adobe and earth walls were selected based on the Hungarian practise evolved through the ages.

    The modules are connected with each other and one is based on some former ones, also they might be continued in later chapters to explain the theme in discussion in a more detailed way. We can summarise the structure of the course and these connections in the following way:

    The creation of adobe as a building material is shown as part of Module 1. The process explained here provides basis for cob wall building, tutorial of the second chapter (Module 2), while as part of Module 3 the user can learn the creation of adobe blocks from basically the same type of raw material. Module 4 also shows the creation of blocks, but instead of adobe here raw earth is used for the creation of the building elements. In two further chapters (Module 5 and 6) the rules of masonry bonds are explained: in the first film the first layer of a block masonry, while in the second one there is special focus on the bonding methods of the wall end and the wall corner. As part of the course the masonry work is only shown using earth blocks, but the building technique shown fully applies to adobe blocks too. Module 7 and 8 are about a completely different technology to the former ones: the rammed earth wall building, showing the processes in two parts (first video shows the first level of the formwork, while the second one a general level of it). Module 9 then shows a special cutting process which is in generally more characteristic to the cob wall technology rather than the rammed earth wall, but as part of this course this technique is shown on the rammed earth wall built in the former two modules (7 and 8). Finally the plastering work introduced in Module 10 is a method that can be applied on all former walls built before as part of the courses, shown in details on the surfaces of the earth block masonry wall.


    Straw Roof & Straw Thatching

    The course is made of two great parts, both explaining building methods of roofing. Furthermore even the raw building material is something that clearly connects the two, being rye straw in both cases. 

    The first 6 modules (Module 1-6) show the works required for the complete replacement of an old trodden straw roofing, a technology which is very rarely used nowadays, but the knowledge of this building methodology is still highly important so to be able to authetically restore a number of monument buildings of vernacular architecture. The structure of this first part is the following: Module 1 depicts the demolishment of the old trodden straw roof, how the old material can be removed from the roof structure gradually. Modules 2-5 then explain how the trodden straw roof is built on the different levels of the roof using more and more platforms till the level of the ridge so that the raw material can reach the place of working. The way of developing the trodden roof is shown in details in these modules from the soaking of the straw and the handing over process of the material through all platforms through the treading down process and adjustments of the straw bundles till the required further aligments like the paddling, the raking of the fibres on the surface and the trimming of the edge lines. Module 6 shows the placement of the weightening poles onto the top of the ridge so to protect the roof structure from stormy weather conditions. 

    The second half of the course (Module 7-10) is about the repair works of a thatched roof made of rye-straw. The thatching technology used in the roof in need for repairs was a tied one resulting in a plain surface on the top in contrary to some other traditional solutions with characteristics of a stepped surface. Module 7 shows the removal of the old and damaged parts which do not provide the required protection for the building anymore, while contributing to the further deterioration of the roof. This module also explains a few preparational works for the later repairs like the creation of the fascicles used for the roof and for building the ridge part in later modules. Module 2 shows the common tying of the straw fascicles, filling the holes that remained after the removal of the damaged parts. Finally Module 9 and 10 explains in detail the tying of the ridge composition and the fastening of the fixing rods at the leg of the ridge construction. 


    Blacksmithery

    Blacksmithing is one of the oldest crafts in the world, without which we cannot imagine our daily life today. Blacksmiths were highly respected in all countries and at all times, in some nations even equated with wizards. And no wonder - after all, as if from nothing - from an iron ore, a dirty, gray piece of stone – a blacksmith was able to make masterpieces. Blacksmith's products always helped in the household: in the kitchen women cut with knives forged by blacksmith, men nailed horse hooves with horseshoes, rode into battles armed with forged weapons, houses were built with the help of blacksmith's tools and products, and so on. Recently, as people look back at old crafts, remember old values and look for exclusivity, they return to the original idea of this craft - the production of handmade and unique products.



    Tile stoves

    The tile stove not only radiates heat, but is also an impressive detail of the home interior, a real center of attraction. The first tile stoves in Europe were created in the 13th century, and they were built in Lithuanian manors from the 14th century. For a long time, luxuriously decorated tile stoves not only heated the homes of nobles, but were also an important symbol of wealth and status. Today it costs thousands of euros to build a new and good tile stove. However, a greater value is to restore tile stoves that have been around for decades or centuries. It requires a lot of specific knowledge, meticulous and long work, but the house will be decorated with a real interior gem that perfectly performs its heating function. Tile stoves are becoming more and more popular, more precisely - going back to fashion and surviving the second golden age. When restoring or even recreating them, it is important to preserve old traditions, follow the requirements of traditional craft heritage, and nurture the quality of materials and processes, thus ensuring the longevity and beauty of the tile stove.

    Brick and Tile Making

    Tiles are essential to the image of historical buildings and sites, creating the Dachlandschaft – the scenery of the roofs - and representing an important component of local identity and heritage. This course gives an overview of the production process of manufactured tiles and bricks, nowadays used in restoration projects.

    The proliferation of inadequate large-scale industrially-produced materials has led to the disappearance of handmade tile roofs that have populated Transylvanian towns and villages since the 18th Century, when the transition from wood and straw to ceramic roofing took place. Requiring years of experience and difficult labor, traditional tile and brick making is currently an endangered craft in Romania.

    Hence, the course focuses on some of the few artisans still practicing it, in the recently reestablished (2013) roofing workshop from Apoș, in the Saxon territory of Southern Transylvania – possibly the only one still employing exclusively traditional techniques in Europe. The endeavor has been initiated and supported by the Monumentum Association, an association comprising architects and restorers focusing on the preservation of rural heritage, whose members also contribute with the theoretical background for the course. The artisans introduce the practical steps to be undertaken, illustrating each operation, from the extraction of the raw material from the clay pit, to its processing, molding and modeling, drying, firing, and fixing in place.

    Stained Glass

    As stained glass has endured a revival at the end of the 19th Century, its manufacturing process has remained largely unchanged until the present day. Stained-glass restoration uses the same techniques as did 19th Century stained-glass production, but they are completed by specific steps, like researching and surveying. This course focuses on the restoration of the stained-glass windows of the Roman-Catholic church in Târgu-Secuiesc, a complex process, beginning on-site and mainly completed in the workshop.

    Swedish Loghouse Building

    Hand-crafted log houses have been built in Sweden for centuries. We enjoy designing and building traditional Swedish log cabins, but in a slightly more modern style. Production of artisanal log houses is physically very hard work and is no longer popular in Sweden as profession but we still produce and build Swedish-style hand-crafted log cabins at competitive prices. We can build the house you have in mind with a larger deck, a solid-glass end wall or any other features you feel you need. 

    Birch Bark Harvesting

    THE COURSE IN BRIEF In this course you will learn about harvesting birch bark. In the first and last film the use of birch bark for roof covering is shown. The other six films show how the criteria for choosing the right tree and when and how you harvest. ARGUMENT Birch bark have been used as a waterproofing layer under various surface materials. Turf or different kinds of wood was common. With maintenance, the roofing can last for 70-90 years. Since the harvesting is not damaging the tree it is a sustainable building method. Most of the buildings in Sweden were covered with birch bark up until about the 1850-ies and therefore it is an important knowledge in building conservation. PREVIOUS KNOWLEDGE No previous knowledge is needed. DESCRIPTION OF CONTENT In this course you can watch and learn from eight films in total. The first film is an introduction on how the birch bark is used as a waterproofing layer and the method for laying the sheets of bark and the cover with turf. The roof covering is finished in the last film. Technical solutions in the constructions and laying techniques differ throughout the country. The films in between are from a course in birch bark harvesting in the month of June in Lillhärdal in the north of Sweden. It is the outer layer of the birch bark that is used and that has to be harvested in the sap period, that differs from different regions. The films show the criteria for a good tree to harvest, which part of the stem you should choose and what to avoid. They also show the technique for cutting and how to release the outer layer of the bark. Finally the storage of the bark sheets is shown. During the middle of the 19th century, this material was gradually replaced with other materials as waterproofing layers that could be manufactured more mechanically, such as thin wood shingles and eventually roofing felt. The surface materials were also changed. COURSE DESCRIPTION: HARVESTING BIRCH BARK FOR TRADITIONAL ROOF COVERING 2 LEARNING OBJECTIVES AND HOW TO STUDY After completing the course, you should be able to: - harvest the outer layer of birch bark for sheets that are suitable for roof covering - understand and explain how the sheets are laid on a roof and covered with turf Craft knowledge are sometimes considered as simple or not advanced. Don ́t bother about that. There are always difficult parts in all knowledge and learning. You must do things wrong or less good to learn what is the right and good way. You have to use your senses to hear, smell and for example in this course feel the resistance in the material and be aware of when you have to be more careful when you try to loosen the outer layer of the bark. Make your own discoveries while training. Always try to find the best material, tools and working methods for you.THE COURSE IN BRIEF In this course you will learn about harvesting birch bark. In the first and last film the use of birch bark for roof covering is shown. The other six films show how the criteria for choosing the right tree and when and how you harvest. ARGUMENT Birch bark have been used as a waterproofing layer under various surface materials. Turf or different kinds of wood was common. With maintenance, the roofing can last for 70-90 years. Since the harvesting is not damaging the tree it is a sustainable building method. Most of the buildings in Sweden were covered with birch bark up until about the 1850-ies and therefore it is an important knowledge in building conservation. PREVIOUS KNOWLEDGE No previous knowledge is needed. DESCRIPTION OF CONTENT In this course you can watch and learn from eight films in total. The first film is an introduction on how the birch bark is used as a waterproofing layer and the method for laying the sheets of bark and the cover with turf. The roof covering is finished in the last film. Technical solutions in the constructions and laying techniques differ throughout the country. The films in between are from a course in birch bark harvesting in the month of June in Lillhärdal in the north of Sweden. It is the outer layer of the birch bark that is used and that has to be harvested in the sap period, that differs from different regions. The films show the criteria for a good tree to harvest, which part of the stem you should choose and what to avoid. They also show the technique for cutting and how to release the outer layer of the bark. Finally the storage of the bark sheets is shown. During the middle of the 19th century, this material was gradually replaced with other materials as waterproofing layers that could be manufactured more mechanically, such as thin wood shingles and eventually roofing felt. The surface materials were also changed. COURSE DESCRIPTION: HARVESTING BIRCH BARK FOR TRADITIONAL ROOF COVERING 2 LEARNING OBJECTIVES AND HOW TO STUDY After completing the course, you should be able to: - harvest the outer layer of birch bark for sheets that are suitable for roof covering - understand and explain how the sheets are laid on a roof and covered with turf Craft knowledge are sometimes considered as simple or not advanced. Don't bother about that. There are always difficult parts in all knowledge and learning. You must do things wrong or less good to learn what is the right and good way. You have to use your senses to hear, smell and for example in this course feel the resistance in the material and be aware of when you have to be more careful when you try to loosen the outer layer of the bark. Make your own discoveries while training. Always try to find the best material, tools and working methods for you.

    Plastering

    Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements.[1] In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications.[2] Another imprecise term used for the material is stucco, which is also often used for plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.

    Fabrico de azulejos

    Este curso introduz de forma concisa e com exemplos práticos uma abordagem ao universo dos azulejos desde o seu fabrico até à sua utilização diversificada. Destina-se a dar a conhecer todos os processos envolvidos no fabrico de azulejos; desde a matéria-prima até ao fabrico e pintura, bem como a colocação dos azulejos na parede. O azulejo é um elemento arquitectónico ligado à história de Portugal que ganha grande destaque especialmente a partir do século XVI, e que chega aos nossos dias, está presente em todo o lado e constitui um importante elo de transmissão entre gerações. Pertence a uma família de outros objectos decorativos, juntamente com uma variedade de funções que o azulejo desempenha na sociedade civil e religiosa. Através deste conjunto de vídeos, o objectivo é apresentar todas as fases do processo de fabrico do azulejo, e mostrar todo o equipamento necessário para a boa execução deste produto cerâmico: tipos de corpo, preparação, corte, moldagem e pintura de azulejos; cores, vidrados, vidrados e cozedura; argamassas tradicionais, fornos e assentamento em alvenaria. Tendo em conta que o papel do produtor de azulejos fabricados está também relacionado com a salvaguarda do património construído, e com a manutenção e restauro dos painéis existentes, fazemos uma breve abordagem aos problemas de conservação dos azulejos. Apresentamos métodos de diagnóstico e de levantamento, tratamento e colocação. Falamos de critérios e produtos para intervenção. Este curso é composto por um total de 9 filmes, com imagens de exemplos práticos, acompanhados das explicações apropriadas. Um último filme tratará da questão da conservação do património azulejar, com uma amostragem de certos procedimentos técnicos. Um requisito fundamental para a execução de azulejos é dispor de um conjunto de equipamentos. É essencial ter acesso a um forno de cerâmica e instalações que proporcionem espaço de trabalho e conforto adequados. O fabrico de cerâmica em geral e de azulejos em particular é uma tarefa com muitas nuances e pequenas variáveis que condicionam e marcam o trabalho final. Mas com dedicação tudo é conseguido, e o esforço torna o trabalho muito mais gratificante.
    Professor: Joana Quintela

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